Tiziana Mazziotto
Tiziana Mazziotto · Source: New York Artists Circle · Rights retained by the original rights holders
- Medium
- Acrylic Paint, Metal, Oil Paint, Paper, Plaster, Wood
- Based in
- New York City
- Practice
- Mixed Media, Painting
Born and raised in Naples, Italy, Tiziana is an artist and scenic painter whose work bridges the worlds of fine art and theatrical design. From an early age, she were captivated by the dramatic beauty of Naples—its archi… Full biography
Biography
Born and raised in Naples, Italy, Tiziana is an artist and scenic painter whose work bridges the worlds of fine art and theatrical design. From an early age, she were captivated by the dramatic beauty of Naples—its architecture, rich colors, and storytelling traditions—elements that continue to shape their artistic vision today.
Tiziana specializes in the use of texture to create depth, realism, and emotion in their work. Whether replicating the weathered patina of aged stone, the rich grain of wood, or the ethereal softness of a painted sky, they masterfully manipulate surfaces to enhance visual storytelling. This expertise has made them a sought-after scenic painter in theater, film, opera, and live events.
Now based in New York City, Tiziana continues to push the boundaries of scenic and fine art painting, incorporating layered techniques and innovative materials to bring their creations to life. Beyond their work for the stage, they explore personal artistic projects that delve into themes of memory, transformation, and the tactile relationship between art and viewer.
Blending the artistic heritage of Italy with the energy of New York’s creative scene, Tiziana is dedicated to transforming spaces and igniting imagination through color, form, and texture.
Artist statement
My work explores the tactile relationship between materiality, space, and perception. As a mixed-media artist, I blend traditional painting with industrial materials like concrete, plaster, cardboard, and metal to create immersive, textured surfaces that blur the line between two-dimensional and three-dimensional art. These materials—often associated with construction or function—become the canvas themselves, transforming into environments that reflect themes of decay, transformation, and impermanence.
At the core of my practice is a fascination with the fluidity of materials. I am interested in how raw, industrial substances can hold emotional and conceptual significance, transcending their original purpose to become vehicles for artistic expression. The act of manipulating these materials allows me to interrogate the boundaries of craft and fine art, inviting the viewer to reconsider the role of texture, form, and physicality in visual experience.
Through my work, I aim to evoke a sense of dislocation and reconstruction, reflecting on both the urban environment and personal histories. The decaying and evolving surfaces in my pieces echo the complexity of contemporary life, with its constant states of flux and transformation. By engaging with unconventional media, I seek to create artworks that encourage viewers to physically and intellectually interact with the materials, inviting them to experience the intersection of craft, painting, and sculpture in new and unexpected ways



